{"id":1640,"date":"2019-04-08T20:44:00","date_gmt":"2019-04-08T18:44:00","guid":{"rendered":"http:\/\/neu.gillacremer.de\/warum-das-kind-in-der-polenta-kocht"},"modified":"2019-04-16T20:26:17","modified_gmt":"2019-04-16T18:26:17","slug":"why-the-child-is-cooked-in-the-polenta","status":"publish","type":"page","link":"https:\/\/www.gillacremer.de\/en\/why-the-child-is-cooked-in-the-polenta","title":{"rendered":"Why the child is cooked in the polenta"},"content":{"rendered":"\t\t
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Why the child is cooked in the polenta<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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At the circus people smile when they are dying<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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by Aglaia Veteranyi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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with: Aglaia Veteranyi
Directed and stage design by: Nik Guenther
Costumes: Barbara Drosihn
Assistant: Uschi Mierzowski<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Content:<\/strong><\/p>

The life of the family of artistes, reflected by Aglaja Veteranyi from personal experience in her first novel \u201cWhy the child is cooked in the polenta\u201d may seem wild and lurid, but is dangerous and close to death throughout.
\u201dIt is the most astonishing book I have come across in recent years. An artiste on the high-wire writes and I watch from below and catch my breath\u201d, Peter Bichsel wrote on the highly appraised novel. Three years after publication Aglaja Veteranyi commits suicide in Zurich at the age of 39.<\/p>

From the perspective of a little girl the authoress tells the story of her family who had fled dictatorial Romania. The child only knows the home country by its smells. With a large suitcase the father, mother, aunt, sister and young narrator saunter through the rich Western European countries. Always strangers and always on the road.<\/p>

\u201cWe must not become fond of anything\u201c. Only the caravan offers a little piece of home for the family of artistes. \u201cI open the caravan door as little as possible, so that home doesn\u2019t evaporate.\u201d Night after night the mother hangs from her own hair in the big top and juggles with fire torches. Night after night the daughter is scared to death. \u201cI wait all day for night time to come. If my mother doesn\u2019t fall from the dome, we will eat chicken soup after the show.\u201d To distract and calm the little one in the caravan, the older sister tells her the story of the child cooking in the polenta.<\/p>

Aglaja Veteranyi describes a circus of tender cruelty, the wayward world views of an uprooted child and the shattered dream of a better life in the West: \u201cMy mother says, everything is better here and cries.\u201d In sensual scraps of poetry and a myriad of grotesquely exploding images Aglaja Veteranyi depicts a world in which sadness and laughter are not only close together but collide in one instant: \u201cAt the circus people smile when they are dying.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Press<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"A tragicomical and touching evening\u2026\"<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"She twists and twirls merrily \u2013 like the abused girl in front of the grown ups\u2026\"<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"A circus of tender cruelty\u2026\"<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Sensitively, humorously and poetically\u2026\"<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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