{"id":1526,"date":"2019-03-19T01:19:34","date_gmt":"2019-03-19T00:19:34","guid":{"rendered":"http:\/\/neu.gillacremer.de\/vita"},"modified":"2019-04-16T20:27:54","modified_gmt":"2019-04-16T18:27:54","slug":"vita","status":"publish","type":"page","link":"https:\/\/www.gillacremer.de\/en\/vita","title":{"rendered":"Vita"},"content":{"rendered":"\t\t
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Gilla Cremer<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Theater UNIKATE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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About me<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BIOGRAPHY<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Born 1956 in K\u00f6nigswinter am Rhein, Germany.
First stage experience gained in the annual pantomime, playing Rumpelstiltskin, Gretel and a May bug. Despite a fairytale-like childhood in the Seven Mountains, it was the fictional Native American hero Winnetou who served as a role model rather than Snow White.
After taking the school-leaving exams (1976) and then dropping out of university, she travelled for three years, lived in Austin\/Texas, New York 1977\/78 and on Bali 1980\/81.
Training in modern dance, mask dance, kung fu and mask carving. Work as a waitress, nurse, geriatric nurse, cleaner, secretary and messenger.
1979 she met Eugenio Barba of the Odin Theatre and his \u201cInternational School of Theatre Anthropology\u201d (ISTA).
1981 Founding member of the \u201cTheater Tilbut\u201d independent theatre group in Frankfurt.
Education and training in cooperation with:
Eugenio Barba \u2013 Odin Teatret at the International School for Theatre Anthropology, Ingemar Lindh \u2013 Institute for Scenekonst, I Made Pasek Tempo, I Made Djimat, G\u00fcnther Einbrodt (formerly Tabori Group), Augusto Fernandez, Werner Schroeter and others.
1984 Jakob is born.
1988 Lotta is born.
Since 1987, mainly worked as a soloist in \u201cTheater Unikate\u201d, her own theatre company, giving both national and international guest performances. Almost all productions are performed in German and English.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Portrait von Bertold Fabricius<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gilla Cremer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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CHRONOLOGY<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1987 ODYSSEE EMBRYONALE (DAS WUNSCHKIND) \u2013 EIN F\u00d6TODRAM<\/strong> by Gilla Cremer and Max Eipp, director: Max Eipp, over 250 performances for German-speaking audiences.<\/p>

1991 EINMAL LEBT ICH<\/strong> by Natascha Wodin, director: Max Eipp, co-production with Gallus Theater Frankfurt and Kampnagel Hamburg, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

1993 RITA ALLEIN GEGEN DIE MAFIA<\/strong> by Gilla Cremer, director: Max Eipp, Kammerspiele Hamburg, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

1995 DIE KOMMANDEUSE<\/strong> by Gilla Cremer, director:\u00a0Johannes Kaetzler, Kampnagel Hamburg, (TRILOGIE DES VERSPRECHENS Teil I), supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

\u00a0<\/p>

1997 MORRISON HOTEL<\/strong> by Gilla Cremer, director:\u00a0Johannes Kaetzler, Kampnagel Hamburg, (TRILOGIE DES VERSPRECHENS Teil II)<\/p>

Guest performances in English of \u201cKommandeuse\u201c and \u201cMorrison Hotel\u201c in Denmark, Netherlands, France, Poland, Hungary and New Zealand.<\/p>

1999 Participation in the KOHELET <\/strong>production of the Akko Group from Israel, Kulturstadt in Weimar\/Vienna Festival.<\/p>

1999 VATER HAT LAGER<\/strong> by Carl Friedman, director: Michael Heicks, Thalia in der Kunsthalle Hamburg.<\/p>

2000 M.E.D.E.A.<\/strong> by Gilla Cremer, TRILOGIE DES VERSPRECHENS Teil III, director: Eva-Maria Martin, Kammerspiele Hamburg, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

2001\/2002 Guest at Thalia Theater Hamburg.<\/p>

2003 MEERESRAND<\/strong> by V\u00e9ronique Olmi, director: Michael Heicks, in cooperation with Theater Bielefeld and Thalia in der Gau\u00dfstra\u00dfe Hamburg, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg. World premier at Theater Bielefeld, Hamburg premiere at Thalia in der Gau\u00dfstrasse. The stage production is available as an audio book (publishers: Hoffmann & Campe).<\/p>

2004 SO ODER SO \u2013 HILDEGARD KNEF<\/strong> by Gilla Cremer, director: Hartmut Uhlemann, coproduction with St. Pauli Theater Hamburg. 2005-2009 the play was performed at Thalia Theater Hamburg. Also available as an audio book (publishers: Hoffmann & Campe).<\/p>

2006 Guest appearance at Schauspiel Hannover with the play \u201cMobil\u201d.<\/p>

2007 WARUM DAS KIND IN DER POLENTA KOCHT<\/strong> by Aglaja Veteranyi, director: Nik G\u00fcnther, Hamburger Sprechwerk, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

2007 FESTIVAL \u201c20 YEARS THEATER UNIKATE\u201d <\/strong>\u2013 Show of 9 productions <\/strong><\/p>

2008 MOBBING<\/strong> by Anette Pehnt, director: Michael Heicks, coproduction with Theater Bielefeld and Hamburger Kammerspiele, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

Special Award to Gilla Cremer for lasting and exceptional achievements in Hamburg\u2019s world of theatre: THEATERPREIS HAMBURG \u2013 ROLF MARES<\/p>

2010 AN ALLEN FRONTEN: LILI MARLEEN & LALE ANDERSEN<\/strong>, Director: Brigitte Landes, coproduction with Theater Wolfsburg and Hamburger Kammerspiele.<\/p>

Guest appearance at St. Pauli Theater Hamburg in HEISSE ZEITEN<\/strong>.<\/p>

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2014 DIE DINGE MEINER ELTERN<\/strong> by Gilla Cremer, director: Dominik G\u00fcnther, coproduction with Theater Wolfsburg and den Hamburger Kammerspiele, supported by Kulturbeh\u00f6rde der Freien Hansestadt Hamburg.<\/p>

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2015 Yoga teacher training with Banyan Gallagher.<\/p>

2016 #FREUNDSCHAFT<\/strong> by Gilla Cremer, director: Dominik G\u00fcnther, Hamburger Kammerspiele.<\/p>

Invitation to India, Tantidhatri Festival Bangalore, with the English version of MEERESRAND, and to Denmark, Transit Festival Holstebro, with \u00a0MY PARENTS\u2019 THINGS.<\/p>

Special Award for the actress Gilla Cremer for her impressive oeuvre: Inthega Sonderpreis<\/p>

2018 FESTIVAL \u201c30 YEARS THEATER UNIKATE\u201d <\/strong>\u2013 Show of 12 productions <\/strong><\/p>

Special Award: Presentation of the Senator-Biermann-Ratjen-Medal<\/p>

Acceptance to the Akademie der K\u00fcnste Hamburg.<\/p>

2019 WAS MAN VON HIER AUS SEHEN KANN <\/strong>by Mariana Leky, Director: Dominik G\u00fcnther, coproduction with Hamburger Kammerspiele, world premiere 05\u00a0September\u00a02019.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Gilla Cremer Theater UNIKATE About me BIOGRAPHY Born 1956 in K\u00f6nigswinter am Rhein, Germany.First stage experience gained in the annual pantomime, playing Rumpelstiltskin, Gretel and a May bug. Despite a fairytale-like childhood in the Seven…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1526","page","type-page","status-publish","hentry"],"yoast_head":"\nVita - Gilla Cremer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.gillacremer.de\/en\/vita\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vita - Gilla Cremer\" \/>\n<meta property=\"og:description\" content=\"Gilla Cremer Theater UNIKATE About me BIOGRAPHY Born 1956 in K\u00f6nigswinter am Rhein, Germany.First stage experience gained in the annual pantomime, playing Rumpelstiltskin, Gretel and a May bug. 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