„You sit in the theatre, agitated until the cruel end. Gilla Cremer, expressive with subtle nuances, stays credible, even in the over exited, euphoric moods. She shines in the difficult finale with a keen psychological sense.“
Neue Westfälische
„Gilla Cremer, in Michael Heicks‘ minimal production, clearly accentuated through gestures and light changes, delivers a riveting crescendoing solo performance.“
Hamburger Abendblatt
„With very little, the actress and her director Michael Heicks present a work of art: they make theatre appear in our minds. Cremer manages with only a few gestures, develops a tenderness that makes us empathise with these people. Despite all the art and all the distance that Gilla Cremer creates with her minimalism – it is a human being who reveals herself before our eyes, not a theatre character. An unsettling evening.“
Hamburger Morgenpost